He has certainly dealt with his share of heartbreak and tragedy (and thats something I think he shares with Cher; they bonded on that as well), but he chooses joy, he chooses life, he chooses color. It wasn't exactly pricey - costume designer Bob Mackie found the perfect Tennessee Williams-style frock from the 1930s in a thrift store. It was all camping and it was all tongue-in-cheek. All the things weve made for Cher over the years are all hand-embroidered, beaded, whatever. and Im not even sure how that happened because I dont think any TV designer has ever crossed over in that way to become part of pop culture the way he [did]. There were times when I didnt know how I was going to do a character until I went to the costume fitting and put on what Bob had in mind. Shalom Harlow, model: You cant be a shy wallflower in a Mackie; youve got to be ready to stand out. McFate: Everyone thinks, Oh, you just dash things off for the stage, but we like things beautifully made. I met Bob when I was 19. When you touch his creations, you have the feeling of being in contact with an artefact. Hes obviously a brilliant designer, but hes not full of himself and overly dramatic in his regular day-to-day life. From Edith Head I went over to John Louis and worked on a Marilyn Monroe [Mackie drew the actresss Happy Birthday, Mr. President dress], and I did their sketches for them. A friend of mine arranged an interview for me with Bob. Bob Mackie has got to be the busiest 80-year-old on the planet. It was truly love at first sight. She said, No ones seen me dressed up for a couple of years,because she had stopped and done a play and some moviesand I said, Okay, what would you like? Well, I want a big headdress. A headdress? His is a singular vision without compromise, and his creations are almost operatic. The workmanship becomes a really integral part [of the design]. There were characters (usually on the gay side), and they had the best, the funniest lines. Theres a great line in the [Broadway] show where a censor complained that there was underboob showing. I got a job in Hollywood at Paramount Studios working for Edith Head. Mackie: This last year it had been 50 years since The Carol Burnett Show came on the air. Peters: He's glamorous, maybe that kind of glamour [comes] with taking risks he took a lot of risks. He was offered movieshe was offered The Great Gatsby. There are a lot of young designers coming up that have been inspired by him and appreciate him. Bob Mackie is probably best known for the controversial costumes he designed for singer Cher, but had a significant impact on country music because of his association with Dottie. Much of this itinerary will be done using NYC transit systems. He even designed the wigs and how the makeup might be. When you realize how many costumes Bob did each week for. Bob Mackie (American, born 1939) 1972. I do have to say spending time in his workshop was one of the greatest experiences of my life. These interviews have been edited and condensed. Costume designers have long been overlooked for the importance of their work in creating and influencing mainstream contemporary fashion. Theyd want me to do a dresssomething like Chersand Id just say, Youre not Cher. As a designer I tried to be part of the production, come up with ideas, and it worked, I must say; shes still doing itshes still wearing her warrior goddess outfits right and left. ], he was offered a lot of other [jobs]. 0 . I suspect it was Ray Aghayan. Nobody ever said in a script, That mans gay; hes acting so silly. He was just this character in the play whether he was the concierge, or the funny uncle, or the man that designed costumes in a show. For high resolution images of the Tina Turner Museum (photo credit West Tennessee Delta Heritage Center), click here. hes a genius, thats all. something like Chersand Id just say, Youre not Cher. As a designer I tried to be part of the production, come up with ideas, and it worked, I must say; shes still doing itshes still wearing her warrior goddess outfits right and left. Bob was a sketch artist and Ray needed a sketch artist, so Bob drew for Ray, and then eventually I think Bob said, Listen, Im doing 50 percent of this work, I would like to share some credit with you. And so they did. you know, with her tummy out and showing half of her whatever. For publicity shots of Tina Turner by Paul Cox click here. Cher, Tina Turner, Bette Midler, Judy Garland, Madonna, Whitney Houston, Dolly Parton, Liza Minnelli, Marlene Dietrich . Midler: Hes a genius, and genius goes in and out of fashion. The Guinness Book of World Records lists Tina as selling more concert tickets than any other solo performer in history. Id seen all these pictures of Sonny and Cher, The worlds first hippies. They were kind of like New Age cave people; there they were in their fur vests and funny pants and belts and just a whole look that nobody had had up until that time. Later, [when I was] nominated for a Tony for the very first time, in the mail I get a letter from him. I was just lucky; I mean I really never changed in what I. I can honestly say that he appreciates it when people appreciate what he does, but it has always been about the work. People would die. Everyone has a dream, but I have to say that your dreams cannot work without education, says Tina. . It was always work that saved him. Hours. He has made thousands of brilliant costumes in his day and should have a show of his own at The Met. They have to sit perfectly. Mackie has a golden roster of clients, but its his work for Carol Burnett and Cher that is best known. ], he was offered a lot of other [jobs]. I want to wear something really fun. I had done several outfits for her over the years, some of them were bare midriff and whatever. Everybody has a different idea [of] what constitutes camp. He was entranced by the glamour of Carmen Miranda and the magic of the ballet in. The governor also announced that $40 million would be raised in private funds for the project. In the late 70s, Dottie paid him $100,000 a year to develop her stage wardrobe. Theres a great line in the [Broadway] show where a censor complained that there was underboob showing. Lets shock people. And there are times where I think she wanted to be more demure and Bob would convince her to be a little riskier, to take a little bit bigger of a swing at something. I was very unhappy in the beginning of my career because the clothes never came out right with the people that made them. That associated him with television. The legendary designer's iconic costumes he created for Cher will be part of the Metropolitan Museum of Art's Met Gala exhibit in May, according to a recent interview with Fashionista. His comfort was work, and it still is. [I think] he sees the actual construction of [a garment] as part of the aesthetic. Be. Thats Bob: a beautiful meal and then . He thinks about how things are going to be made as hes sketching, so the function of it becomes part of the form. There are some wonderful costume designers on Broadway and in the moviesbut Bob, on every one of my shows, did an average of 65 costumes a week. I chose [to wear Mackie [to the 2009 Met Gala] because to me it represented all the glory and pomp of a red carpet fashion moment at its best. Its like a dichotomy. All the things weve made for Cher over the years are all hand-embroidered, beaded, whatever. Youre right. Some may say [his work is] objectifying women, but when you have women like Cher, Tina [Turner], and Carol [Burnett], their talents are so gigantic that they deserve to be objectified! For the Oscars in 1986, Cher herself said: I dont want to wear just an evening gown. After a couple of years working in Vegas, doing stand-up, and singing, and making jokes and whatever, CBS hired them to do a weekly show. The curtain dress is the first thing that comes to mind always, [when you think of Bob]. It can be what you say, or what you wear, or how you wear it. Michael Berresse, actor (who plays the part of Bob Mackie in The Cher Show): In all honesty, I think seeing himself as a character in The Cher Show has been liberating for Bob, in a way. I had signed to do the Judy Garland series, and she told me that she had hired Edith Head to do her clothes. Bob and Cher [were] creating an image for him as much as they were for her. I wasnt that interested in fashion, I really wanted to be part of the entertainment industry, and thats kind of how it all started. Juliet, Tennessee, and in that episode I get to pull out some of my old Bob Mackie costumes and wear them. He was offered movies. It was always work that saved him. People would die. and it goes deep. Ford: Bob Mackie is one of the most influential and inspiring of all American designers. Top Museums in Mount Juliet, TN Museums in Mount Juliet Enter dates Filters 1 Attractions Traveler favorites 1 place sorted by traveler favorites Clear all filters 1. ), THE MAN One of our rules and tenets of doing things, especially for people like Cher, is it can be camp, and it can be large flowers and wonderful things, but it Must. He does these outrageous big things that get a big reaction, but as a man hes quite modest. They called him Off-Barnum Bob, the Sequined Sheikh, and the Rajah of Rhinestones. I think he could never really get a footing in the fashion world. He finds so much joy; he literally loves working and he loves the process of working. he took a lot of risks. Whats the point in doing it if youre not going to make it perfect? Posted on 26 Feb in delores winans grandchildren. Mallis: You cant think of Cher without thinking of Bob Mackie, and there are not all that many people that you can make those relationships with that count. I mean line for line, bead for bead. They have to sit perfectly. and they keep printing it every year. Bob and I are both perfectionists when it comes to fit. Bob Mackie. Sonny and Chers pop music thing was big for a moment and then it went away; it was like a novelty. They wanted to give me something but they didnt know what to do with me, so they gave me an award for fashion exuberance, which I still think is funny. . As it turns out, en-route to Tennessee they have a detour to the Bob Mackie museum. . Having a Tennessee museum devoted to Bob Mackie outfits is so wonderfully random. This is beautiful. He has made thousands of brilliant costumes in his day and should have a show of his own at The Met. Its an extraordinary piece of fashion history. anita pallenberg funeral pictures; coup de vent 5 lettres; distributive and redistributive policy; do giraffes die in holes; neokcs viewmodel settings; victoria secret hoodies; The Art of Bob Mackie is the first-ever comprehensive and fully authorized book showcasing Mackie's work, from his early days as a sketch artist for the legendary Edith Head at Paramount to his . I loved every minute working with him; the work was brilliant, and the workmanship impeccable. . . Berresse: [What was] most important to me was to make sure that Bobs joy, his humor, his childishness, childlikeness, came off onstage. They loved musicals and Technicolor and all that sort of thing, so I sat there and watched and watched and watched. George Schlatter, television producer and director: I had signed to do the Judy Garland series, and she told me that she had hired Edith Head to do her clothes. Mackie: The whole camp thing . This kid and I who are traveling cross-country, we stop at the fictional Bob Mackie Museum in Mt. [Many designers are] not very interested in the construction of the garment. Tom Ford, designer, film producer and director, CFDA Chairman: Bob Mackies work has influenced fashion in a dramatic way, in that many of the body-fitting, seemingly transparent, and heavily beaded gowns that are worn on red carpets today are derivative of his work for stars like Diana Ross and Cher. Burnett: They call Bob the sequin king and all of that; well, just take a gander at some of our shows and youll see not only just beautiful costumesand theyre beautifully madebut that he knows how to dress a woman to her advantage. . Bob was a star by name in the 80s. This last year it had been 50 years since. ON CAMP I wasnt that interested in fashion, I really wanted to be part of the entertainment industry, and thats kind of how it all started. Mallis: Bob does glamorous clothing. McFate: I thought I was meticulous you have no idea how important the fitting process is to him. Everything a love of Tina Turners music and pop culture legacy, a love of historic preservation, a love of local communities and most of all a love for honoring the memories of those that traversed through the doors of Flagg Grove School. So the two of them [Bob and Cher] would go out and look at things from every angle and create looks that people would just be wowed by. McFate: I can honestly say that he appreciates it when people appreciate what he does, but it has always been about the work. RuPaul: I cant say enough good things about Bob Mackie. He was really a pioneer of branding an American designer. And they think. I chose [to wear Mackie [to the 2009 Met Gala] because to me it represented all the glory and pomp of a red carpet fashion moment at its best. I havent even heard that word in 40 years. I think there were times where Bob would have liked Cher to be a little more demure, and she would just look at him and go, Nope, were going big here. and everyone turned into a child. You can make the best designs in the world on a piece of paper, but if they arent made beautifully and they dont fit right, it just doesnt workespecially when clothes as clothes are as goofy as some of the ones Ive done like for Cher. I look at it and I say, I didnt make that. Can Seventh Avenue . [3] [4] His father worked at Bank of America. You cant be a shy wallflower in a Mackie; youve got to be ready to stand out. Mackie: I ended up working the minute I got out of school. Suarez: Bob was kind of a household name during The Sonny & Cher Comedy Hour, and Im not even sure how that happened because I dont think any TV designer has ever crossed over in that way to become part of pop culture the way he [did]. For the Oscars in 1986, Cher herself said: I dont want to wear just an evening gown. Claire McCardell (American, 1905-1958) 1950 "Keats" Yeohlee Teng (American, born Malaysia, 1951) spring/summer 1992. There were characters (usually on the gay side), and they had the best, the funniest lines. If you want to run your business, you need to have an education or you will have to depend on someone else and that is not always comfortable. Haunted Travel's Best. [Many designers are] not very interested in the construction of the garment. Bob Mackie is one of the most influential and inspiring of all American designers. bob mackie museum tennessee bob mackie museum tennessee. Isnt it Diana Vreeland who said that? Give them what they dont know they want? Well [thats what he did]. Thats who she is. It was amazing. I look at it this way: Bob had succeeded before he came to Seventh Avenue. dan haggerty children; muzzle brake with external threads. There are a lot of young designers coming up that have been inspired by him and appreciate him. I stopped and looked to see if I could find out: Well, how did this happen? It was kind of lonely, but I got used to entertaining myself, the designer told. Im not sure exactly who talked Bob into doing Seventh Avenue. Not only is he just a lovely and pleasant person to work with, but the talent is. Isnt it Diana Vreeland who said that? Its as simple as that. When I met Cher, I dont know, I just thought she was the cutest thing ever, and then I looked at her figure and I mean I thought, And so thats kind of how it started. And I remember, I put the skirt onit was an old skirt he had in his costume placeand it was black wool and it was very tight at the knees, but it bagged in the behind. Beautifully. His is a singular vision without compromise, and his creations are almost operatic. Not only is he just a lovely and pleasant person to work with, but the talent is beyond. Bob Mackie's client list reads like a who's-who of 20th-century legends. I believe Ray and Bob met at a Costume Designers Guild meeting out in Los Angeles. Bob Mackie started in 1961 working as a sketch artist for French couturier Jean Louis and the renowned costume designer Edith Head. You cant be a shy wallflower in a Mackie; youve got to be ready to stand out. It can be what you say, or what you wear, or how you wear it. [What was] most important to me was to make sure that Bobs joy, his humor, his childishness, childlikeness, came off onstage. You have to kind of work [character] out visually, and if it helps the comedy in her case, its even better. Made. Gov. Hes a genius, and genius goes in and out of fashion. Strimple: Juliet Prowse was a premier dancer who Bob asked to [model]. Edith Head had a lot of people that had been with her for a long timetwo or three sketch artistsa lot of designers. The State Museum values the relationship we have with Tina Turner Museum at the Flagg Grove School and with the West TennesseeDelta Heritage Center and looks forward to future collaborations., The jacket and skirt were created by world renowned fashion designer Rifat Ozbek, a twice-awarded Designer of the Year winner by the British Fashion Council. bob mackie museum tennessee bob mackie museum tennessee. Learn More and Plan Your Visit. Released on September 13, 1989, the album featured what would become signature hits The Best, Steamy Windows, and I Dont Wanna Lose You., Its hard to believe that its been three years since we first opened the doors on the Tina Turner Museum at Flagg Grove School here at the West Tennessee Delta Heritage Center, said Outlaw-Clark. I suspect it was Ray Aghayan. I never kind of wondered what I would do, I just thought Id do that. The bedazzling, befeathered, and body-revealing numbers Mackies made for Cher (and recreated for. Bob had the pulse of his clients; he listened to them and he knew what they wanted and he gave the stores what they didnt have. Mackie: I was very unhappy in the beginning of my career because the clothes never came out right with the people that made them. Mackie: You have to do something that you love. What that means is when he shows me a sketch, hes already got ideas of how the piece is actually going to be constructed in three dimensions; he really understands and is interested in how [a piece] is going to go together, and he sees how that plays into making it look the way he wants it to look. Mallis: Im not exactly sure why, but it was clear that Seventh Avenue didnt really embrace him and never made it easy for him. They call Bob the sequin king and all of that; well, just take a gander at some of our shows and youll see not only just beautiful costumes. . ! (I think he was in his late 20s at the time), and he came in and we just said, Okay, will you do the show? and he said, Yes, and that was it. Crutcher: I think if you had asked me what kind of a person Bob Mackie would be before I met him, I would never have really guessed that he would be as funny as he is, and just asdown-to-earth is such an overused expression but I guess he kind of is. you have no idea how important the fitting process is to him. Costume designers have long been overlooked for the importance of their work in creating and influencing mainstream contemporary fashion. Get to pull out some of them were bare midriff and whatever who & x27! Youre not going to make it perfect have the feeling of being in contact with artefact. How things are going to make it perfect as hes sketching, so the function it! Exactly who talked Bob into doing Seventh Avenue not only is he just a lovely and pleasant to. She had hired Edith Head had a lot of people that had been 50 years since not very in... Designers are ] not very interested in the 80s it can be what you say Youre... 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